The Maker
Christopher Applewhaite is a traditional bowyer, on Salt Spring Island, building wooden bows entirely with hand tools. His craft has become more than a hobby but is always for enjoyment and not a full time profession. He is a traditional bow hunter, and every bow that leaves the workshop is a fully functional weapon, built to be drawn, shot and hunted with rather than hung on a wall.
What began as a boyhood interest in bows and archery is now a workshop and a quiet practice that sets me apart from the noise of daily life. I take my time with every stage, from finding the wood through to the last coat of finish.

Why it matters
Christopher hunts with the bows he makes. He also shoots for the pleasure of it, and to pass the craft on to others. Whether a bow is carried into the field, drawn at the range, or set on a wall, it is built to be enjoyed.
The wood
Pacific yew a slow-growing, dense and elastic in a way almost no other wood is. The sapwood and heart wood act as a natural laminate. Sapwood stong in tension and heartwood strong in compression.
It is also increasingly scarce. The US Forest Service species record for Taxus brevifolia describes a tree that grows in the understory at a few millimetres a year and was heavily cut in the 1990s for taxol. Yew does not grow in dense stands, and only about one in twenty is suitable for making a bow. Current logging practices do not readily allow yew to regenerate or mature. Most of the wood I work with was salvaged ahead of logging, where it would have been left behind and burned while the more valuable timber was removed.
Plenty of other woods make excellent bows. Ocean spray, plum, locust, maple: each has its own characteristics, and I work them all. But none, in my opinion, matches the beauty and performance of Pacific yew.
Before you ask